Re-Made in Japan by Joseph Jay Tobin Essay Example for Free

Re-Made in lacquer by Joseph Jay Tobin EssayRe-Made in lacquer, edited by Joseph Jay Tobin, is a assembling of adjudicates which study Japans post-World War II role habits and is predicated on the idea that if in Japan students study rough and workers work hard, it is equall(a)y true that pleasure seekers play hard and consumers consume hard (Tobin, 1992, p. 1). In addition, the authors in this volume argue that Japanese consumerism draws a great deal from the West except has given Western items and practices uniquely Japanese meanings, creating something both exotic and familiar. Tobin, who received his doctorate in teaching from the University of Chicago and currently teaches at Arizona State University, specializes in the study of Japanese close, ethnography, and the medias make (National Academy of Sciences). The have got draws on each of these by examining how the Japanese, a nation well-known for its ability to borrow from different cultures, has borrowed West ern consumption habits but is not simply aping the West. In addition, his contributors include a calculate of Tobin argues against the widely-spread misconception that the Japanese can only imitate and lack the ability to create, maintaining that the Japanese are engaged in an ongoing creative synthesis of the exotic with the familiar, the foreign with the domestic, the modern with the traditional, the Western with the Japanese (Tobin, 1992, p. 4). In the process, Western pagan artifacts and habits have had their meanings changed into something uniquely Japanese, demonstrating their active engagement with the West instead of passive acceptance of imposed ways. Consumption, Tobin implies, is as important as production in shaping national identity, and Japans habits have do it more dominant than submissive. The work to a fault attacks the myth of cultural purity and authenticity, which includes the manufacturing of authentic goods, rituals, and notions of history and community. To its credit, the book makes a concerted effort to avoid portraying the Japanese as a monolith. The thirteen authors present(predicate) study both urban and rural Japanese, as well as questions of class and gender. though Tobin concedes that some(prenominal) of the volumes observations are truer of Tokyo than of Japans smaller cities and countryside, he shows that similar trends dawn the entire nation, though they manifest more intensely in the capital. The books essays are all intriguing, though they vary in terms of how germane they are to the subjects Tobin addresses in his introduction. Millie Creightons essay explores the even up and sale of Japaneseness, promoted mainly by the depato (department store, itself a Western import). These large stores fit Japans mind of hierarchy and are a major conduit for Western goods, though they also promote education and a sense of Japanese values.She writes Depato, long brokers of Western goods and customs, now also play the reverse rol e of re-educating a westernized consuming public of their own cultural heritage, real or imagined (Tobin, 1992, p. 54). Also, James Stanlaws essay For pretty Human Life studies the large number of loanwords (nearly five thousand, mainly English-derived) in the contemporary Japanese vocabulary, almost of which refer to material objects or goods largely unfamiliar to pre-war Japan (Tobin, 1992, p. 61) and examines the process of how the Japanese have modify those words meanings beyond their original definitions, showing how the cultural interaction was not wholly one-sided. Scott Clarks chapter on the Japanese bath a traditional cultural practice which is now high-tech, with programmable water faucets and other accoutrements also offers a good example of how foreign imports have been assimilated. More importantly, Clark studies how this traditional practice has been brought into modern consumer culture because it has assumed meaning as a self-identifier and status symbol among co nsumers. Even a high-tech cleanse space can feel traditional, says Clark, showing how moderns sense of tradition is fluid and views tradition by dint of contemporary lenses.In addition, many affluent Japanese patronized public bathing houses (though they have full bathrooms at home) because bath houses have become a consumer item rife with connotations of high status, good taste, and community through sharing Japanese tradition. Clark comments, Bathing in Japan is, of course, much more than its mere material manifestations. It involves notions of status, purity, cleanliness, and attach through naked association. . . . If this is neglected, members begin to feel that something important us lacking from the communal relationship (Tobin, 1992, p. 102). Nancy Rosenbergers essay demonstrates the relationship between gender and consumption of Western goods, which in Japan is a furcate of code attesting to ones affluence, status, and good taste, as well as the quality of ones family. A s she explains, magazine advertisements targeting Japanese housewives link Western interior design with Western-style relationships. . . . In the housewives competition, the ultimate remainder is the establishment of a feeling of our house (Tobin, 1992, p. 113). Basically, she claims, Western design means a better family because it connotes amour and emotional stability. Also, she adds, Decorating allows a woman to express the whims of her spirit, just as she is (Tobin, 1992, p. 114). Perhaps the strongest and most intriguing essay in this volume is Mary Yoko Brannens Bwana Mickey, which uses Tokyo Disneyland as evidence that the Japanese, instead of subserviently acceptation Western culture without question or criticism, approach it shrewdly and treat it in a or so bemused, even condescending fashion. A near-identical copy of the southern California original, the park is not an example of the supposedly uncritical Japanese fascination with the West (indeed, the entire volume ar gues against that notion).Instead, Japanese visitors display their own screen of cultural imperialism, treating it as a quaint form of exotica, much like ethnic displays at foundings fairs a century ago treated people of color. Brannan claims, The Japanese view the separate dualistically ordained responses include everything from respect to condescending appreciation negative responses range from ridicule to outright omission Tobin, 1992, p. 227). peerless sees a tradition of Western thought turned on its head, with the Japanese retaining their cultural sensibilities and viewing this American import not with wide-eyed awe, but as a form of quaint American campiness. Other essays work less effectively though they make for interesting reading. For example, William Kellys essay Tractors, Television, and Telephones is an interesting step at how those three inventions have altered rural Japanese life. While it explains the transforming effect on Japans countryside, it overlooks lar ger questions of consumption and cultural mingling and lacks a dynamic connection to Tobins arguments and to other essays in the book.Similarly, Diana Bethels chapter on homes for the elderly is a well-written piece of scholarship, but it seems out of place here as well. Dealing primarily with socialization patterns among residents of convalescent homes, the essay focuses more on their patterns of adaptation to coordinate living, as well as how men and women each claim and define physical space, while consumption habits are somewhat peripheral and not related to Japans synthesis of foreign goods and habits. Though not every work in this volume is equally effective, Re-Made in Japan is a helpful work of cultural anthropology which studies cultural dialogue and synthesis. It shows how cultural change is a dialogue, in which even seemingly subordinate recipients of foreign cultural artifacts and practices apply their own sensibilities and selectively incorporate certain things into their own cultures, transforming the imports into something native. For students of anthropology and cultural studies, this work has considerable value by providing models for studying the process of culture and the very nature of what makes something authentic. work CITEDNational Academy of Sciences (2006). Joseph Tobin Biography. Retrieved 22 June 2006 from http//www7.nationalacademies.org/core/Joseph_Tobin_Bio.html.Tobin, J.J. (Ed.). (1992). Re-Made in Japan. New Haven Yale University Press.